Regarding Literary Magazines

I’ve been trying to get work published in literary and speculative fiction magazines for the last 4 years. I imagine that it takes longer than 4 years for the average non-established author to finally “break through” and actually see his or her work in print. There’s a lot we writers need to get right before we finally see any kind of positive results. There’s much we need to take into consideration, like if our writing is even good enough to be published in the first place. (Then again, plenty of self-publishers skip that step–and no, I’m not singling out any specific authors; nor does this statement apply to all self-publishers either.)

Then, we need to invest lots of time into researching literary magazines and genres. This is the point I’m at now. I’ve figured out what genres I typically write within, and have singled out a wish list of literary magazines where I want to see my work. Many writers and authors post their literary magazine wish lists. It’s an interesting exercise, especially if you use the post to set a goal for yourself. Also, it’s helpful to other writers looking for magazines that are within their markets, and free publicity for literary magazines too.

I’ve already submitted 1-4 entries to a few of these magazines (and they were, unfortunately, not accepted). But the standard email always says to keep trying, so I try not to let the rejection get me down (it does sometimes, though). Still, I will continue to try to get published by these magazines until the acquisitions editor writes me his/herself and tells me to “knock it the hell off.” (I’m a glutton for punishment, I guess.)

My Literary/Speculative fiction Magazine Wish List

Camera Obscura
Paris Review (NOTE: not accepting work from unestablished authors. . .I am actually saving this one for later, because they will probably tell me to “knock it the hell off.”)
Midwestern Gothic
Bat City Review
River Styx
Fourteen Hills
Tin House
Glimmer Train
Ninth Letter
Bellevue Literary Review
Drunken Boat
Granta (for translations)
Black Wire Literary Magazine
Cease, Cows
Roadside Fiction (travel fiction)
Blackheart Magazine
Redhead magazine
Museum of Things I want to Forget
After Hours
Tephra Magazine (I’m unsure what is going on with this one, actually. . .the editor never got back to me about my story and it’s long past the date the debut issue was supposed to come out, and nothing has yet.)
Contemporary Literary Review
Literary Yard (for literary criticism)
The Gap-toothed Madness
Per Contra
Carte Blanche (lit. fic. or translations)
Matador Network (Travel writing)
Boulevard
Wet Ink (website link is not working. . .still, that doesn’t change that I’ve enjoyed this magazine’s publications in the past.)
The Sun
The Missouri Review

Literary Orphans
Penny Dreadful
Fictionvale
Swamp Biscuits and Tea
Ideomancer
Black Static
Strange Horizons
The Dragon and the Wolf
Cafe Irreal
Do Not Look at the Sun (on hiatus? I’m not sure what is going on at this one either. . .but their past issues are online still and a worth a read)
Margin  (Not sure if still in print)
Lore
Black Treacle
Crossed Genres
Beneath Ceaseless Skies
Lovecraft ezine
Fiction (Fiction inc.)
AGNI
Arcadia
Birkensnake
Blue Mesa Review
Bluestem (Karamu)
Caketrain
Pank Magazine
Tiny Hardcore Press (books)
The Colored Lens
Conjunctions
A Capella Zoo
Bourbon Penn
The Dragon and the Wolf (haven’t heard back from the editor yet, regarding whether or not submissions are still open. . .it’s another start-up literary magazine)
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Many of these literary magazines can be found via their names either on google, Facebook, or Twitter. Before you try to submit to them, I would suggest putting some time in reading previous issues. Likewise, if you’re just looking for some good summer reading material, all of these publications feature interesting fiction, art, and poetry. I wouldn’t be attempting to get my work in these publications if I didn’t enjoy what they publish.

 

 

 

 

 

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The Kind of Dilemma that can only Arise from being Scatter-brained and unable to make a Decision

There’s a quote from Virginia Woolf that describes me very strongly:

It is worth mentioning, for future reference, that the creative power which bubbles so pleasantly in beginning a new book quiets down after a time, and one goes on more steadily. Doubts creep in. Then one becomes resigned. Determination not to give in, and the sense of an impending shape keep one at it more than anything.” (from her diary on May 11th, 1920)

I’m in the doubt stage currently. I feel like if I could just get over my doubt of my current project and finish part II that I would go on writing parts III and IV smoothly and then the editing process could begin and I would finally have SOMETHING to show to publishers (that isn’t a teenager’s first attempt at figuring out how to construct a novel). But the more time I spend not focusing on my piece, the more my mind wanders and I begin to contemplate new projects. Also, I’m kind of risking damning myself anytime I attempt to write a short story. Thus far, half of my short story attempts in the past two years surpassed 12k words and could go even longer to form a novel. So I had to put the project on hold in favor of my current two projects.

This is what my workload looks like (concerning novels and compilations, I won’t even list the unfinished short stories sitting on/around/in my desk at the moment):

Mind Terrorist

Main Character/inspiration: Lenore, a voice of a character in my head who happened to be the loudest when it came time to write a short story for my Short Story writing course last spring.

Plot Synopsis: Lenore is an American expat living in Austria who is having a very serious breakdown. She is convinced that a specific man has found a way into her mind and found a way to control her thoughts and sexual desires and that he is seeing all of her thoughts. The problem is that she does not know who it is, and is suspicious of any man she comes across because even if they found a way to placate her and convince her that they are not the ones inside her mind, that this could just be another mind trick. Lenore, needing a holiday, is invited to spend the weekend partying with two musician friends in Prague and she accepts. But during the train ride through Austria to Prague, she realizes that perhaps it could be her friends who have been reaching into her thoughts.

Themes: Coping with sexual assault/rape, alcoholism, mental illness, mental illness and sexual trauma, travel, Central European culture and history

Status: I shopped this around in its original form as a short story. It was considered for 3 months to be printed by an American literary magazine, but in the end they declined it because they felt that the word count was too long to be a short story, and that the story needed to continue. When I turned it in to my teacher, she said basically the same thing. . .so here I am trying to finish this novel.

But doubt creeped in and I started a new project while I was dealing with writer’s block:

Short Story Compilation (“The Sea Monster’s Bride” and other Stories)

I found myself writing a lot about love and mental illness in the last six months, and aside from my novel, I’m beginning to move past this fixation. However, mental illness and love are and probably will always be recurring themes in my writing for personal reasons. This particular short story compilation has a focus on love within institutional settings between someone who society has deemed to be mentally ill and someone who isn’t but may be missing some important things. I would like to release it on smashwords, but I’d like to first get some of the stories published in literary magazines and therefore attract publicity and more public interest for the short story compilation in the first place.

Now, within this project I started writing a short story which takes place in a Victorian workhouse, and then later an asylum. The narrator has a romantic relationship with Satan (or she thinks she does) and this is why she is in an asylum. I’ve realized after rewriting it that this story could not be told in its entirety in just a short story, and that since she is in her late teens and I have the opportunity, I’d like to send her to a haunted finishing school in Scotland and extend her narrative into a book series. This is my Darling series, which I posted about earlier this week. Now, I have three projects going because I am still missing a short story since I’ve had to pull Darling from the compilation. Mind Terrorist only has 15,000 words, and I want it to at least have 30k. But these are just the projects I’ve started fairly recently.

During my time on Mibba two years ago, I completed an internet fantasy serial story. My readers on Mibba really liked it and I have been asked to expand each weekly section into a full chapter. I’ve been doing that since 2011, and have ended up splitting the book in half so that now there are two books–both from different points-of-view. The story line is done. The rough draft is written. I am just editing this now and going back and rewriting some passages so that they connect more smoothly and there are less plotholes. I even have an idea for the sequel to each of the points-of-view, a book that combines both by making one of my narrators have a bigger part in the life of the character who shall be narrating. But it’s a fantasy project: imaginary world, intricate religious and cultural beliefs, and a political system, and all. My senior year of college is not a good time to embark on such an endeavor. Though, I will admit that when I’m frustrated with Lenore and writing short stories and queries to literary magazines, I find myself editing my fantasy novel, designing costumes for my main characters, and even writing new scenes. This is a particularly bad habit for me, because it’s taking away from me time that I would be spending working on my projects that I’d like to get done before the end of 2014, when I’ve told myself that this fantasy novel could not reasonably be finished at least until 2016 if I put all my free time into it, and should just focus on one thing at a time.

But no, I don’t listen to myself. I’m too scatter-brained to listen to myself. There are too many voices inside of my mind for me to listen to, and as a result I’m having trouble picking which one I’m going to listen to when it comes to my writing projects.